The Feminine Cosmos: Sandra Lerner’s Sublime Paintings, essay by Donald Kuspit
How to represent the unrepresentable—the sublime, the sense of being in the presence of “unrepresentable excess” or “limitlessness”—that’s the task of Sandra Lerner’s paintings. They are undoubtedly abstract—they belong to the tradition of so-called musical painting that began with Kandinsky’s abstractions. But they are also representations of limitless cosmic space, grounded in a scientific understanding...